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1. Needs Fixing, 2006, toned and bleached gelatin silver      contact print, 5” x 4”
2. Wind 4x For Goodbye, 2006, gelatin silver contact print,      5” x 4”
3. Egg of The Mother, 2006, toned and bleached gelatin      silver print, 5” x 3-1/2”
4. Crying Nooses, 2006, toned gelatin silver contact print,      5” x 4”
5. Veves, 2006, toned and bleached gelatin silver contact      print, 5” x 4”
6. Why Is It I Can’t Recognize Anyone Anymore, toned and      bleached gelatin silver contact print, 5” x 4”
7. This Mirror Is New, 2006, gelatin silver contact print,
      5” x 4”
8. The Favourite, 2006, toned and bleached gelatin silver      print, 6” x 4-1/2”
9. The Little Man, 2006, toned gelatin silver contact print,      5” x 4”
10. Triple Self Portrait, 2006, gelatin silver contact print,
        5” x 4”
11. Piecemeal, 2006, toned gelatin silver print, 9” x 6”
12. Funnybunny, 2006, gelatin silver contact print, 5” x 4”
13. Sleepless, 2006, toned gelatin silver contact print,
        5” x 4”
14. Still, 2006, gelatin silver contact print, 5” x 4”
15. Not All Books Have A Happy Ending, 2006, toned
       and bleached gelatin silver contact print, 5” x 4”

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1. Bedroom, 2004, toned gelatin silver contact print, 7” x 5”
2. Telephone, 2004, toned gelatin silver contact print, 7” x 5”
3. Angel, 2004, toned gelatin silver contact print, 7” x 5”
4. Vessel, 2004, toned and bleached gelatin silver print, 6” x 2-1/2”
5. Ratcatcher, 2004, toned and bleached gelatin silver print, 7” x 6-1/4”
6. Hearing Voices, 2006, toned and bleached gelatin silver print, 5-3/4” x 3”

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Contact Information
2806 N. Howard Street
Baltimore, MD 21218
e-mail: rabbitlange@hotmail.com
Please contact artist for purchases, commissions, etc.

Artist Statement
It is a dangerous thing for a woman who has been locked up for hearing voices to say, but comes a point in telling a story where you have to stop trying to direct it and just do as you’re told.

All imagery 100% digital free. 

Any manipulation, toning and/or effects are done either in camera (occasionally) or in darkroom (usually).

I have nothing against digital.  I do not desire to disparage, discredit, or disregard it. 

I just like negatives.  I like something you can hold up against a bare bulb and see a reversed image through.  I like printing.  I remember the first time I put a piece of white paper in tray #1 and then watched an image come up.  I thought it was magic.  I remember the last time I put a white piece of paper in tray #1 and watched the image come up.  I still think it’s magic.  The concept of turning silver, a precious metal, into something more precious, the visual shadow of worlds real or otherwise--it’s the only form of alchemy that ever worked.

I think it is only fair that it be known I prefer to get my hands wet.

As to the images-I leave them to speak for themselves or remain silent.

Their choice really.

Additional Links
www.lauren-rabbit.deviantart.com
www.myspace.com/lauren_rabbit
www.flickr.com/photos/laurensimonutti